Indra's Net

James Joyce's masterpiece "Ulysses" follows main character, Leopold Bloom, as he traverses the streets of Dublin during the course of a single day. This is no ordinary day, however. In Joyce's hands, the brief sliver of experience held within two dozen hours of time becomes a vast allegorical passage containing a rich and expansive cosmology. One of the central ideas of Ulysses is that there is no such thing as "ordinary"..that life as it is lived cannot escape the epic significance that our very existence implies. The realness of this transcendent proclamation is somewhat hard to feel when one is awfully bored and has perhaps been spending...

JP Munro

JP MunroAbout a year ago I had a studio visit with a New York art dealer who was in town and interested in looking at my work. At one point I was telling him about my life and I mentioned that I had been teaching Art History, among other things, for the past six years to make a living. "It must be a real drag being around all those old crusty paintings all day," is an approximation of his response.It's a peculiar cultural condition, this historical amnesia that is joined with a relentless pursuit of the "next". Every season witnesses the birth of another "star", ushered in with the ritualistic grandeur and pomp that surrounds the coronation of...

Rendering

Richard Dadd worked for nine years on a single painting...and five years on another. I think this one will take a couple more months at least..but I'm not in a hurry. It's nice to be immersed in the act of rendering..of giving form. Becoming is more exciting than being. Things that are finished are dead in a way..Goethe:The Godhead is effective in the living and not in the dead, in the becoming and the changing, not in the become and the set-fast; and therefore, similarly, the reason is concerned only to strive towards the divine through the becoming and the living, and the understanding only to make use of the become and the set-fa...

Satoshi Sakamoto

In the Serious Artworld of International Fairs and Biennales...the word "Visionary" seems to have the pejorative stink of unsophistication. Many artists carrying this torch admitedly deal in a currency of formula and cliche (or maybe the word is "kitsch")..but I feel like it would be unfair to dispense wholesale artists who are inspired by the fantastic. Artists such as Satoshi Sakamoto seem unconcerened with the self-conscious ironies of paintings recent history..and more energized by the fertile fields of their own imagination. I would also list Alex Grey, Joe Coleman, and Paul Laffolley as a few of the luminaries in this field who's work might...

Thousand-Hand

...

one month..

..has passed since I've been able to get into the studio. January was wall to wall teaching action. I'm beggining to regret taking on so many classes this spring...These next paintings are all about Eros and "The Gaze".... so will be chock full of beautiful women. Please note: work in progress is just that. For one of the faces I was trying to channel a memory of a girl from Singapore I dated in college. Marco and the others were glad I finally had some time to hang o...

Sandy Olkowski: "Escape from the Known"

Six months ago Sandy Olkowski threw the couch to the curb and jumped on a plane to Thailand. During the interim she has produced two remarkeable bodies of work that each represent this passage through time. Heraclitus once said "No man steps in the same river twice," which is at once a meditation on the linear nature of our perception of being, and an illustration that the "you" that exists now will not be the "you" that dies, nor was it the "you" that was born. The continuity is an illusion that somehow we cling to..or are rather conditioned to cling to. This is because people are always re-enforcing this false notion of being..one that we...

False Dichotomies...The "Value" of a Painting

Rattling around the artblogs recently I've noticed a cloud of thought hovering over the notion of "value" in painting. "How do we determine value in art?"..a question asked (and answered) by Jed Perl, among others in direct response to the vast influx of hedge-fund money that seems to be turning the notion of artworld correctness and propriety upside down. To me it's a curious problem because it represents an alchemical conversion of abstract ideas and concepts into a numerical equivalent in currency. This is ostensibly a method of gauging the collective belief and confidence in any given set of "values" that may be winning out against other...

Pages 381234 »
Related Posts Plugin for WordPress, Blogger...

Share

Twitter Delicious Facebook Digg Stumbleupon Favorites More